Opening Doors Theatre Company"The respect for the effort and love of the Broadway Musical shines through!" - Michael Dale, BroadwayWorld.com
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"I admire Opening Doors' ingenuity and skill!" - Matt Windman, amNY

REVIEWS ARTICLES  

REVIEWS FOR "THE BEST LITLE WHOREHOUSE GOES PUBLIC "

"A FAST AND FUNNY, SOLID CHARMER! Brooke Jacob's deep tones and talent for clear, attractive riffs beautifully enhance the score's hidden gem of a ballad, "Picture Show," where Mona traces her life's ups and downs. Brett Rigby's role - which he does very well - gets to show off some belty pipes in a nightclubbish solo, "A Change In Me." Burley comic Brian Tom O'Connor is great fun. A trio of divine-looking honeys (Dana Barathy, Rebecca Greenberg and Lexi Windsor) plays the brothel's star attractions with humor and sex-appeal while Jason B. Schmidt and Justin Jones camp it up grandly as the evil IRS director and his assistant.  Rachel Louise Thomas is earnestly perky as the government official trying to get the whorehouse back on its feet… so to speak… and Bryce Bermingham shines in various small roles.

The unamplified vocals of the whole company sound strong and clear under music director Michael Lavine, who's on stage at piano.  One of the amazing things about the Opening Doors Company is their ability to stage full-out presentations with large casts without crowding the small Duplex stage.  Director Hector Coris and choreographer Dana Boll deliver a swift, fully entertaining production."
- Michael Dale, BroadwayWorld.com READ FULL REVIEW

"JUST WATCHING THE EXUBERANT AND YOUTHFUL CAST BRINGING OUT THE JUICE AND THE JOY IS A JOY IN ITSELF. Making zingy lemonade out of what Broadway critics once found to be lemons, Opening Doors has proven itself with what is now a habitual way of putting a left-for-dead body’s best foot forward and making it dance.  Keeping what’s best and winking with a forgiving eye at the rest, the company embraces musicals that aren’t classics but bring them some class.  Finding some treasures in the Broadway junk heap is more than just blithely optimistic recycling, it’s a fresh look with rewarding results.  This second look at the second look at a musical whorehouse (yes, a Broadway sequel) looks great.  Thanks to a talented cast that has zip and zing, it’s lighthearted fun and well worth the re-visit.  With a truncated book, savvy director Hector Coris gets the broad strokes and the broad humor for the Broadway style broads, businessman, and buffoons working for the government.  Nutty rather than smutty or slutty, a little tacky and more than a little wacky, it’s kind of adorable and the small scale production brings out the charm factor.  With Michael Lavine’s solid musical direction/ piano accompaniment, the whore score sure does soar.   The group makes the musical play into a playground and just makes a merry, mad game of the story and the tale of troublesome taxes never becomes troubling or taxing for the audience.  But if the I.R.S. puts a tax on smiles and laughs, this would be an expensive night out. It’s a sure-as-shootin’, rootin’, tootin’, non-high-fallutin’, prostitutin’, hoot’nin’, hollerin’ good time!
- Rob Lester, Cabaret Exchange

 

REVIEWS FOR "FLORA THE RED MENACE "

"Fitting nine actors and a piano on the cabaret stage of The Duplex (which has only one backstage entrance/exit) is not easy feat but director Suzanne Adams and choreographer Christine Schwalenberg keep the proceedings crisp and peppy.  The strong-singing (Ray Baily is music director), enthusiastic cast is a pleasure from top to bottom.  Desiree Davar and Francis Kelly are endearingly quirky as the wide-eyed, idealistic Flora and her stuttering, Communist activist boyfriend, Harry.  Alison Renee Foster has plenty of pizzazz as the femme fatal rabble-rouser, Charlotte, while Erin West and Kevin Michael Murphy are perfectly charming as a young tap-dancing couple.  Andrew Lebon, Jillian Prefach, Buzz Roddy and Kevin Z. Wanzor are all enjoyable in their various roles."
- Michael Dale, BroadwayWorld.com

"Director Suzanne Adams and choreographer Christine Schwalenberg turned a tiny stage into a show stopping, feet tapping, razzle dazzle delight. I just wish I'd discovered these talented people sooner!
If you ever see Opening Doors, go catch it". - Eva Heinemann, Hi! Drama

REVIEWS FOR "WHOOP-UP"

"I really enjoyed their production of the 1950s mega-flop WHOOP-UP!" - Matt Windman, amNY

"'Whoop-Up' is a 'flop' more people should see! Its music is catchy, its words are clever and its plot is light-hearted and at times gently satirical. Director David Norman kept the show moving with plenty of action and dance, choreographed by Dawn Trautman, that were remarkably robust considering the Duplex's small stage. 'Whoop-Up' is way better than many of the hits one sees on Broadway today. If the show is someone's idea of a flop, this reviewer would like to see many more of them."
- Paulanne Simmons, NY Theatre Wire

"All of you did one hell of a job...and I know that Moose would have gotten a great kick out of hearing his score!" - Sandy Stewart (widow of composer Moose Charlap)

"What a total pleasure that was last night! And I think it's wonderful that the cast and company was so committed to the material. You all did a wonderful job of realizing the show. And as you know, you're the first to do so. What memories it brought back! [My wife] Jennifer and I truly had a great time. Once again, a real pleasure."
- Jed Feuer (son of bookwriter Cy Feuer)

REVIEWS ARTICLES  

REVIEWS FOR "IT'S A BIRD! IT'S A PLANE! IT'S SUPERMAN!"

"I really enjoyed it a lot. The spirit you guys have with the material is original and funny, and I ended up (forgive the conceit) remembering how good our score is too! I wish it could go on. I hope you get the word of mouth you deserve."
- Charles Strouse, composer (Bring Back Birdie, Annie, Bye Bye Birdie)

"We all loved the show...it was wonderful! This was the first time I've seen the show from an audience perspective...Thank you and the cast for making "my day!"
- Bob Holiday, Broadway's original Superman

"[Broadway's Lois Lane] Patricia Marand and [Broadway's original Superman] Bob Holiday and the rest of the audience turned their attention to the stage as a dozen fresh young faces - with the kind of singing and acting skills you'd expect to see on Broadway - brought this tremendously fun-filled comedy to life under the direction of Casey Burden and choreographer Rick Delancy. It's solid fun, through and through..!"
- Brian McKernan, Read the full review!

"An unmitigated delight. If the original Broadway production had been only half as much fun, it might have wound up in the record books. Many elements contributed to the joyousness of this production: the direction was endlessly playful and inventive, the exuberant and enormously appealing cast turned in marvelous performances, the gleeful choreography was doubly impressive considering the small size of the stage, and speaking of miracles, a fight sequence was positively draw-dropping. What a high!"
- Roy Sander, critic and columnist

 

REVIEWS FOR "BRING BACK BIRDIE"

Edge New York

"The new company Opening Doors Theatre did it; a miracle - they made a seemingly impossible dream true by turning a flop musical comedy from the past into what felt like a big, fat success! Treated with real affection but with a sense of self-awareness, the broad comic elements were handled slyly and deftly. They didn’t cross the line into the land of no return: cartoonish or condescending style. And wisely, they didn’t go too far in the other direction by asking us to take things too seriously. Things moved briskly and breezily, with in-character reactions a specialty. Take all this plus judicious editing of the original material, putting the emphasis on its strengths, we got all cream and no sour milk.

Bring Back Birdie
was a major bright spot in the theatre year of 2006. Make that a standing ovation!
- Rob Lester
Read the full review!

Broadway World.com

"BRISK GOOFY AND A LOT OF FUN! A terrific ensemble was obviously having a blast with Christine Schwalenberg's appropriately silly choreography. The score sounded great accompanied by Jason Sirois under Andrew Wheeler's musical direction. The respect for the effort and love of the Broadway musical was shining through!"
- Michael Dale
Read the full review!

"There was a small hole in my heart I'd been carrying for years, and last night filled it in. I enjoyed myself hugely! The performances had just the right tone (some of my tunes I feel I could do better) and some of the cast I wish we had back then! I felt honored. You all worked so hard and profitably; the movements and direction were so light hearted and joyful, I felt like a mensch."
- Charles Strouse, composer (Bring Back Birdie, Annie, Bye Bye Birdie)



"BEST LITLE WHOREHOUSE GOES PUBLIC " ARTICLES
Playbill Whorehouse Goes Public Again in NYC, This Time in Intimate Concert
06-17-08
"WHOOP-UP" ARTICLES
What's Up with Whoop Up?
07-9-07
Time for a Whoop Up
07-9-07
Broadwayworld.com
Opening Doors to Present 50th Anniversary 'Whoop-Up'
06-12-07
"...SUPERMAN" ARTICLES
It's a Bird! It's a Plane! It's Patricia Marand and Bob Holiday Together Again!
03-14-07
Playbill Strouse and Adams' Superman Musical to Take Flight in NYC March 11-13
02-05-07

"BRING BACK BIRDIE" ARTICLES
Playbill Everything Is Rosey: NYC Troupe's Bring Back Birdie Concerts Are Sold Out
12-04-06
Playbill Troupe Unearths Bring Back Birdie For Dec. 5-6 Concerts in NYC
10-30-06

OPENING DOORS THEATRE ARTICLES
"Bring Back Birdie" Nominated for a 2007 MAC Award!
03-21-07
Coris Boy
03-09-07
Flops That Jumped The Shark
02-05-07
 
Initial Directors: Suzanne Adams, Hector Coris, Eric Martin
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